見えないものを、見るSeeing the unseen
Residue
白木蓮
木製パネルに鳥の子紙・土佐麻紙、岩絵具、水干絵具、墨、銀箔、黒箔、染料、典具帖紙Mineral pigment, suihi pigment, ink, silver leaf, black leaf, dye, and tengujō paper on torinoko and Tosa hemp paper mounted on panel
Private collection
変わりゆくものの中に宿る美しさ
Beauty dwelling within transience
Selected Works
Works
作品セレクション
銀は移ろい、絵は生き続けるSilver tarnishes; the painting continues to live
Setsuna
刹那の花
木製パネルに雲肌麻紙、岩絵具、水干絵具、銀箔、墨、染料、典具帖紙Mineral pigment, suihi pigment, silver leaf, ink, dye, and tengujō paper on kumohada hemp paper mounted on panel
Private collection
紋様は、祈りのかたちPattern as a form of prayer
Dew
露
木製パネルに雲肌麻紙、岩絵具、水干絵具、金箔、墨Mineral pigment, suihi pigment, gold leaf, and ink on kumohada hemp paper mounted on panel
2026年秋、第26回芸美会展にて発表予定To be exhibited at the 26th Geibikai Exhibition, autumn 2026
About the Artist
A Note on Nihonga
日本画について
Nihonga is a painting tradition built from mineral pigments, natural glue, and time. Each work begins with silence, and ends somewhere close to it.
日本画は、岩絵具と膠、そして時間から生まれる絵画の様式です。 一枚の作品は静けさから始まり、また静けさへと還っていきます。